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Troubling Vision: Performance, Visuality, and Blackness. In a racially charged South Africa race is not a funny subject. We use cookies to offer you a better experience, personalize content, tailor advertising, provide social media features, and better understand the use of our services. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. This essay, by contrast, examines the film's positional producers, considering the generic, commercial and creative determinants of the film production. Includes vita and abstract. As a young South African woman of about twenty, Saartjie Baartman, the so-called "Hottentot Venus," was brought to London and placed on exhibit in

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Black pussy power: Performing acts of black eroticism in Pam Grier’s Blaxploitation films

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Figures 7 and 8 address issues of gender and violence by clearly demonstrating, through the fettered woman in The pornography of power, how women's sexuality is determined, controlled and meant for the consumption of men. Includes vita and abstract. By combining established ideas from feminist and black film studies with cultural industries approaches, I argue that compelling narratives like Coffy, about individuals from oppressed groups, are often informed and energized by the unequal, high-stakes conditions of their own determination.

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